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Let us discuss a new Star Trek that people have to pay for instead of watching for free. One in which the Klingons have been completely redesigned, one in which the technology looks completely different from what we would expect, as do the uniforms—all without a word of explanation. One in which one of the main characters has to reconcile human and Vulcan values.
And one in which the production was fraught with behind-the-scenes difficulties. I am, of course, talking about Star Trek: The Motion Picture in Both Enterprise and the Bad Robot movies have given us time periods before the original series that, nonetheless, have technology more advanced than what we saw on TOS.
Hell, take out the warp drive and transporter and the original Enterprise was less technologically sophisticated than a modern Manhattan office building. Complaints, for example, about other ships having the delta as their symbol, even though other ships had different symbols in TOS—except in the first season, all Starfleet personnel had the delta, cf. It was Gene Roddenberry himself who provided a good explanation for this back when the Klingons suddenly became bumpy-headed in Enough of that, though, as all of this is ultimately irrelevant in comparison to the much more important matter: Is Discovery any good?
The movies and early TNG used the Klingonese Okrand created for The Search for Spock pretty religiously, but with each spinoff, they moved further and further away, mostly just pulling harsh-sounding words out of their asses. The dialogue in these first two episodes is awkward in spots.
Also, must everything be underlit? I thought we got over this with Battlestar Galactica. The bridge of the Shenzhou is way way too dark…. The relationship between Georgiou and Burnham is a strong one. As it is, seeing a TV show not only pass the Bechdel Test, but also take the extra-credit portions of it, is a welcome thing, and exactly the sort of barrier Trek should be breaking.
She tries to use logic to convince Georgiou to fire on the Klingons, but Georgiou rightfully stands her ground. But the Federation is a nation of peace who will only attack when attacked first. Yes, the Klingons will respect a show of force.
What I especially love is that we see the clash of cultures. Humans unwilling to fire first, but willing to fight back if attacked. Vulcans who let logic and science dictate their actions, and who view emotionalism as something to be overcome. These two episodes set things up nicely. The acting is uniformly strong. Nobody ever went wrong casting Michelle Yeoh in anything—and hey, she even got a hand-to-hand combat scene!
Doing this as a prequel may have been a mistake. DeCandido has written a metric buttload of Star Trek fiction , including 16 novels, 13 novellas, six comic books, seven short stories, and a coffee-table book, the latter being The Klingon Art of War.
Tales of Asgard , collecting all three books in his trilogy starring Thor, Sif, and the Warriors Three, and short stories in the anthologies Nights of the Living Dead co-edited by the late George Romero , Aliens: Homeworlds , and Baker Street Irregulars. Receive notification by email when a new comment is added. You must be a registered user to subscribe to threads. All comments must meet the community standards outlined in Tor.
Thank you for keeping the discussion, and our community, civil and respectful. Ditto the technology… Enough of that, though, as all of this is ultimately irrelevant in comparison to the much more important matter: Discovery television television reviews Vulcans. More Comments Check for New Comments. Subscribe to this thread Receive notification by email when a new comment is added.
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